​In his day, theologian Martin Luther was a Josquin superfan. “He is the master of the notes,” Luther gushed. “They must do as he wills.” As a shining example, Josquin gives the notes in “Gaude” an urgent message to deliver: “Rejoice!” And in response, the vocal parts echo, intertwine, and race each other in an energetic case for celebration. Alleluia!

How do you bring new life to text that’s been in use for over 1000 years? That must have been l'Héritier’s puzzle, since this is one of the earliest known Marian prayers, dating back to at least the 5th century. His interpretation is an ethereal one, with soaring lines and shining vocal color. Vox Lucens is especially pleased to be sharing this arrangement by former director, Jay Lane.

With so many texts and melodies celebrating Mary, it can be hard to choose between them. In this motet, Obrecht elegantly weaves together three: (1) a then-popular Italian devotional tune, (2) texts from the Litany, and (3) the beloved Ave Maria that has found its way into many pieces over the years. Each strand complements and elevates the others, making a whole that truly exceeds the sum of its parts.